Dialogues:
Agallaimh Máire Ní Chathasaigh & Chris Newman |
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this page updated 11/06/09 | |
These
multi-faceted musical conversations add up to an exciting artistic departure for Chris and
Máire. From the purest well-spring of the Irish tradition come the 17th century solo harp Gol na mBan san Ár, the newly-discovered 18th century Hidden Pearl arranged for harp & string quartet and an elaborate set of jigs. Two of the four songs
are here recorded for the first time in these versions, one of them in the free-form,
uniquely Irish sean-nós style.
Guests: Nollaig Casey & Iain MacFarlane (fiddles), Simon Mayor (mandolin), Liz Hanks (cello), Roy Dodds (percussion) |
scroll down for press reviews, tracklist
& catalogue details
Taplas | With each outing they make, this pair continue to amaze and stun with their sparkling virtuosity and incredible tightness. Guest musicians include Máires sister Nollaig Casey on fiddle and Simon Mayor, who contributes a characteristically virtuosic solo in the swinging finale, on mandolin. The
album title perfectly sums up the way Máíres harp and Chris guitar interact
with each other. Perhaps the most stunning example of this is the foot-tapping, bluegrass
style Twinkle Little Star, which is guaranteed to bring some sunshine into your
life. As well as all
these wonderful instrumental tracks, Máire also contributes several songs and her harp
solo, Gol na mBan san Ár - an example
of Irelands older harp music - has a spare, stark beauty about it, reminiscent of
her performance of Carolans Farewell to Music. She plays with passion and
admirable restraintjust listen to the bass notes of her Camac harp resonating boldly
without interruption. Dialogues is a rich and breathtaking album, in which the various styles and instruments discourse together with consummate ease, grace and joy. Delyth Jenkins
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Tykes News | Chris and Máire are off on another
journey of musical discovery with this latest CD. Thirteen tracks of music and song with
long-time collaborator (well, she is family) Nollaig Casey, fiddles, viola, backing
vocals; Liz Hanks on cello, Roy Dodds, percussion; Ian MacFarlane, fiddle on track eight
and the educated mandolin of Simon Mayor on track thirteen. If I didnt like instrumental
music this review might be a horse of a different colour, but I do, I love it, and this is
its apogee. There are songs here also, sensibly scattered throughout the disk. The gaelic
ones are helpfully translated in the sleeve notes, where there is help with pronunciation
also. Máires voice is pure and light with a subtle vibrato that suits the Irish
style of singing and is at its best when singing in Erse.The music is so perfectly played
that a picky person might say that it could become sterile and mechanical
but it
doesnt, it exudes warmth, passion and pleasure. You might say that Chris tunes
dont match up to the trad. arr. ones
but they do, in fact a reviewer with more
musical knowledge than I, might say that they will be gathered into the arms of the
tradition without a second thought. Máire is on a one-woman crusade to update the Irish harp from the twee to its rightful place as the instrument able to take on any musical task with guts and fire. When I listen to a new CD from the Newman/Ní Chathasaigh stable I expect, and get, fireworks from the harp. It is truly wonderful to hear its many facets as it is accompanied by all the other styles of strings strutting their stuff on this CD. Track eleven The Hidden Pearl is the perfect example with cello, harp, fiddle and viola not getting slushy or melodramatic. Although a slow piece it tries to climb out of the box, as the restraint it is played with barely holds back the passion.
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Folk
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Chris and Máire have established
themselves as firm favourites on the folk circuit. So its not surprising that this
recording comes highly recommended. The first track opens uncharacteristically with the
sound of the fiddle (performed by Nollaig Casey - Máires sister). It catches you
unawares as it sounds like it could be a track from Lead the Knave by Nollaig and
Arty McGlynn. Ah, but this is just the set-up for Máires harp and soon we are
treated to the dazzling display of arranging that has become Chriss trademark. The
funky slip-jig Chestnut Tree leads into The Reel of Peace joined by
Stratocaster (is this beginning to sound familiar) but hang on, whats that
underpinning the last tune? A kind of Pete Fyfe
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Shreds and Patches | Two of the folk
scenes most respected musicians have put together a CD of what can only be described
as beautiful music, if that is not too cheesy a phrase! A mixture of songs and tunes, all
are played with wonderful control and really effective dynamics. No duff tracks here;
its really a matter of picking out personal favourites, so pardon the subjectivity
here are a few highlights for me: the playing on Colonel Robertson, clean,
light and devastatingly accurate; Banana Yellow with a tune that does bring the
sun out (well, it did when I was listening to it); Twinkle Little Star bringing
back memories of Chris playing at the Ironbridge Bluegrass Festival a few years ago, and
holding an audience spellbound with a series of staggering solos; Swinging the Lead
with perfect swing guitar playing; the atmosphere created by the harp and whistle
especially in Gol na mBan san Ár, and so on, for virtually the whole CD. What
really holds much of this CD together is the understated rhythm playing; tight, never
overpowering but providing a perfect background to the tunes and songs at the front. As you
may have gathered, this is quality stuff. The range of material is excellent, with a
really broad appeal. Right, get the
guitar out, relax and try to play like this
ah yes, well
time for a pint
then. Alan Harris
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The
Sunday Tribune ( |
A
beautifully produced, tight album that runs from harper Ní Chathasaighs own jigs
with sister Nollaigs fiddle and Newmans mandolin, to central American harp
brightness and slick bluegrass. Beeswing and Maid at the Spinning Wheel have
terrific articulation and ornament, and Gol na mBan san Ár achieves immense,
droned pathos
A virtuosic Latino Banana Yellow follows. Vocal Deirín
Dé is sweetly Christmassy and Clár Bog Déil & Cill Mhuire with
rich vibrato à la Fintan Vallely
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Folker ( |
Wie immer
mit augenzwinkernden Wendungen perfekt gespielt und glasklar gemixt.
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Dirty
Linen ( |
A
judicious mix of lively dance tunes, lovely songs, classic Irish harp music, and general
purpose fun. Ní Chathasaigh, who invented the playing of Irish dance music on the harp,
is in fine form on a set of Irish jigs, a set of reels, a James Hill hornpipe, and a set
of Scottish pipe tunes. Her fine version of Gol na mBan san Ár uses the silences
between the notes to full effect and her singing in Irish is clear and strong as the wind.
Newman, one of the most versatile and just plain fun guitarists around, takes the lead on
tunes as diverse as Twinkle Little Star and a swingy original, Banana Yellow.
A very strong recording.
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Sing
Out ( |
This
virtuoso guitar/harp duo test the limits of Irish music with touches of calypso, bluegrass
and 40s-style swing. Newmans hot guitar licks and Ní Chathasaighs bell-toned
harp are delights
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Tracklist | Three Piece Suite (The Chestnut Tree/Ril an tSuaimhnis/The Copper Hills of Beara) |
The Beeswing Hornpipe | |
Deirín Dé/Midnight in Annemasse | |
Paddy Whack/Colonel Robertson's/The Maid at the Spinning Wheel | |
Gol na mBan san Ar | |
Banana Yellow | |
I love my love | |
Donald Maclean's Farewell to Oban/Duntroon Castle | |
An Clár Bog-Déil | |
Twinkle Little Star | |
The Hidden Pearl | |
Cnocáinin Aerach Chill Mhuire | |
Swinging the Lead | |
Catalogue details | Old Bridge Music OBMCD14, 2001 |
Barcode number | 5023405001422 |
Back to page 1 |
Old
Bridge Music
PO Box 7, Ilkley, West Yorkshire, LS29 9RY, UK
Tel: +44 (0)1943 602203 Fax: +44 (0)1943 435472